Thanks bro — really appreciate the detailed write-up and the priority list.
To be honest, SDI and remote control / live review are our top R&D priorities right now, and both are already in progress. After that, 12-bit mode will be one of the next key targets for us.
For the Log output, just want to clarify:
Do you mean Log output through HDMI / SDI?
Is the main purpose external monitoring / judging dynamic range more accurately, or is there another workflow need behind it?
Also curious about the PixBoom Cinema PC software. We see many creators exporting H.265 or ProRes from it. Are there any specific needs for the transcoding tool — for example, more image controls or processing options inside the software?
Thanks again for helping get Spark in front of more filmmakers. This kind of feedback really helps us make it better.