I’m a wildlife filmmaker since 1972.
Back in 1985, as a guest filmmaker at Oxford Scientific Films, I used their Redlake Locam 16mm Hi-Speed camera and “dared” to reach its peak 500fps - A thing they were afraid to do…
I well remember my extremely careful film spool loading through the complicated sprocket teeth wheel mechanism: They warned me of crashing the inside camera if I miss a frame. Camera was 7kg ano very noisy. Two shots and the reel is finshed!
I use my Sony RX10 IV for slow motion and the 1000fps gets very low in resolution. ISO range is fantastic.
I wish your planned Spark camera would have 2 major things of top importance: 1. High ISO sensitivity - Hi-Speed cinematography requires A LOT OF LIGHT and ISO is vital! FreeflyEmber S5K has a fixed ISO 300. Chronos 4k12 has ISO 100-400. These two brands does not allow a sufficient light to for 1800fps 2K or even higher frame rates that “swallows” light. I know it, I’m well-experienced. So If I’ll purchase your upcoming camera or not depends on its light sensitivity of at least ISO 4000 and even more, without creating a rough grain that cannot be fixed via Neat Video App or similar.
- As nature poses critical speed challenges that might require speeds of 10,000fps and even more - I pray for your success in reaching such speeds and ever further, at lower resolutions, of course, in 16:9 aspect ratio. It can be sharpened in post. Some creaters are so swift, that I MUST capture their activity in as many frames per second possible. No AI can fill the gap! It must be a physical burst of thousands of frames to get it (Springtails jumping, for instance).
I truly hope these two features will be found in your camera! For commercials, Freefly and Chronos are more than enough.
For my kind of filmmakers it’s definitely not. And who can afford the Phantom Flex 4K that offers dreamy frame rates?
I challenge you… GOOD LUCK TALENTED PIXBOOM PEOPLE!! Warm wishes, Doron.